Thursday, March 18, 2010

Thursday, March 11, 2010

Thumbs Up Thursday: John Dewey's Art as Experience

This is perhaps the best book I've ever read on why aesthetic experiences matter. I've already quoted from it twice on this blog, and I'll do it again:

"The moral function of art itself is to remove prejudice, do away with the scales that keep the eye from seeing, tear away the veils due to wont and custom, perfect the power to perceive . . . . It is the critic's privilege to share in the promotion of this active process."

Monday, March 08, 2010

Art and the Right Side of the Brain

Jill Bolte holds a human brain.

When neuroscientist Jill Bolte spoke at TED about having a massive stroke, she taught listeners about the right side of the brain.

She said that there were moments during her stroke when the right side of her brain completely overtook her consciousness. In these moments she felt unified with the universe, as though she were no longer in her body but in an "esoteric space" outside her body.

She said that when she looked at her arm she couldn't distinguish it from the wall behind it: "the atoms and molecules of my arm blended with the atoms and molecules of the wall." She said, "because I could no longer identify the boundaries of my body I felt enormous and expansive. I felt at one with all the energy there was, and it was beautiful there."

Seems drug-induced?

Compare this to what American philosopher John Dewey said of art in his 1934 masterpiece Art as Experience:
"A work of art [music, literature, painting, etc.] elicits and accentuates this quality of being a whole and of belonging to the larger, all-inclusive, whole which is the universe in which we live. This fact, I think, is the explanation of that feeling of exquisite intelligibility and clarity we have in the presence of an object that is experienced with esthetic intensity. It explains also the religious feeling that accompanies intense esthetic perception. We are, as it were, introduced into a world beyond this world which is nevertheless the deeper reality of the world in which we live in our ordinary experiences. We are carried out beyond ourselves to find ourselves."
I think this should be the goal of every artist: to create art that will lead audiences to have experiences like this. To inhabit momentarily the right hemisphere of the brain.

Have you had such an experience with art? They may come rarely, but they're the reason I keep trying to create and find good art.

Here a few moments in art that have done this for me:

- In The Road, when the son and the father reach the coast. The conversation they have there.
- The scene in the train station towards the end of Shyamalan's Unbreakable.
- Paul Simon's Can't Run But. Hot dang, that third verse.
- Glósóli

What moments in art have affected you?

Wednesday, March 03, 2010

Wednesday, February 24, 2010

Delicious John Dewey Quote

"Civilization is uncivil because human beings are divided into non-communicating sects, races, nations, classes and cliques."

Tuesday, February 23, 2010

TED Talk: Leader of Britain's Conservative Party Speculates on How the Internet Will Change Democracy


David Cameron, leader of Britain's conservative party, says that the Internet will open up an era of democratic politics, akin to what I was talking about in my last post (though Cameron claims that this mode of politics is "conservative," not that this mode signifies a new political party). He says that because the Internet allows for increased transparency, choice, and accountability, it grants common people more power in the democratic process.

It does this, he should say, if politicians are honest about what they call "transparent data."

The move toward a purer democracy excites me—one person in the video's comments section argues for granting citizens the right to vote directly on issues via the Internet. It's an interesting idea, though it would make tyranny of the majority hard to avoid and would further fuel China's investment in computer hacking. (They'd falsify votes to encourage us to buy fortune cookies in mass and they'd switch out every McDonalds for a Panda Express.)

Sunday, February 21, 2010

On Becoming a (d)emocrat

When the founding fathers decried the union of church and state they did so in part because such a union could create tyrannical power. I think that they could see that, generally speaking, democracy (which comes from the Greek word demos, meaning the common people) was the great secret of great societies.

The problem today is that both Democrats and Republicans are pushing to widen the power of government and they're teaming up with big businesses to do it. This is a horrible union, since many big businesses (Goldman Sachs, Walmart, AIG, etc.) are bigger than many churches ever were, and so the risks of tyrannical power run quite high.

I think there's enough resentment in America over the domineering unions of big business and government right now to spark a third major political party, one that values giving the most power to the most people.

I'm not talking about the tea party protesters, since they aren't speaking out adamantly against all business/government relationships (they don't seem to be so angry at lobbyists).

I'm not talking about the Democrats either, since although they never tire of berating big businesses and "evil CEOs," they aren't seeking to impose heavy limits on governmental power.

And I'm not talking about libertarians, since they're willing to let business run hog wild at almost any cost, and since they mostly seem to be a party of dopes who care solely about legalizing marijuana.

A populist party stands a real chance in the near future. It just needs intellectual rigor (something the tea party movement is currently lacking [and I didn't have to write that on my hand to remember it]). Such a party would argue for whatever best limits all human institutions: government, big business, and religion. It would be a party that argues for limiting any institution that gets so large it's headed toward tyrannical blunder.

It's what the word democrat should mean but doesn't.


*This post used to be longer, but I reread the first four paragraphs and got bored, so I cut them.

Thursday, February 18, 2010

Thumbs Up Thursday: The Awe-lympics

This year I've noted how much more the Olympics inspire awe than regular sporting events.

Here are some reasons:

1. We generally reverence the talents and tenacity of the athletes more than we quibble over calls from a referee.
2. They only come every two years—that's enough of a break to make them feel new again.
3. Fancy space costumes.

Why else?

Wednesday, February 17, 2010

Book Review: Crucial Conversations



Calling this a review may be a bit misleading, since I don't want to explicate the book's merit. I just want to say that I like this diagram from the book:

The authors argue that during intense arguments we're generally tempted in one of two ways: toward violence (controlling, labeling, attacking) or silence (withdrawing, avoiding, masking).

It's a useful dichotomy, one that I can relate to. Most of the time in face-to-face arguments and heated situations I'm tempted toward silence. I let people who want to domineer the discussion have their way. But the authors of Crucial Conversations say that violence and silence are both damaging, since they both stop dialogue.

Have you seen this problem in heated conversations you've had/witnessed? Do people fall to either violence or silence, or are there other temptations?

Thursday, February 11, 2010

Thumbs Up Thursday: Kenneth Burke, the Most Famous Modern Rhetorician of All


I want to briefly applaud Burke's foundational idea of identification as a method of analyzing how human beings persuade each other. Burke says, "You persuade a man only insofar as you can talk his language by speech, gesture, tonality, order, image, attitude, idea, identifying your ways with his."

He illustrates this by telling of a politician who persuades a group of farmers to vote for him by saying, "I was a farm boy myself." That is, the farmer-politician identifies himself as one of them to win them to his side.

Burke isn't saying that this is moral or immoral, he's just saying it happens all the time. For example:

Obama identifies with educators.

Bush identifies with the military.

Clinton identifies with muppets.

The more I meditate on identification the more I see it everywhere. Why did Mitt Romney win 90% of the Utah Republican primary votes in the 2008? Because conservative Utah Mormons identified with him: Romney was a stake president, he's active at church, he has a smiley cohesive family, and he knows business. Mormon conservatives identify with that.

Why are so many Mormons opposed to Harry Reid, even though he's also Mormon? Because most Mormons identify in two ways politically: they identify with Mormons and they identify with conservatives. Harry Reid is in the out group in part because conservative Mormons don't identify with his liberalism. This is why when Reid came to BYU he focused mostly on how his liberal identity and his Mormon identity aren't at odds with each other. He wanted Mormons to quit opposing his liberal identity.

Burke's claim is that identification is at work even unconsciously. The question we have to ask ourselves is how identification is at work in our own lives. What do you believe and what/who did you identify with to start believing it?

Monday, February 08, 2010

On Poetry and Argument


When former poet laureate Ted Kooser claimed that poetry serves to "freshen the world," he cited a poem about homeless people.

The poem, "Fire Burning in a Fifty-Five Gallon Drum" by Jared Carter, begins with these five words:

"Next time you'll notice them . . ."

That is, after reading the poem, you'll see the homeless.
"Next time you'll notice them on your way to work
or when you drive by that place near the river
where the stockyards used to stand, where everything

is gone now. They'll be leaning over the edge
of the barrel, getting it started. . ."
The rest of the poem is filled with conscientious descriptions of the homeless. It's not an argument—the author doesn't rebuke the reader for not giving money to the poor, nor does he assert that we should vote for a policy that will give the homeless some housing. He merely translates what he's seen with words the way a painter would illustrate the scene with paint.

But the poem (hopefully) makes us see the world again, causes us to "re-vise" the world. In other words, even though this poem doesn't accomplish the same specific purposes that a political speech or an op-ed piece on the homeless would, it may help us in a more general way.

Art may, as Kenneth Burke once claimed, "leave us with a desire for justice." Good art doesn't preach to the world about which specific actions readers should take on a particular issue. Art isn't practical in this sense. It is instead about shaping and refining our feelings. Practicality isn't the realm of art; it is the realm of rhetoric—of political debate. When art gets too practical, too specific, we write it off, or at least we should write it off, as propaganda or a cold sermon.

So there's rhetoric and there's poetics (rhetorology). Rhetoric is the realm of argument, poetics is the realm of beauty. And we have a use for both.

When politicians and citizens find themselves at a headlock about how, exactly, we should help the poor—whether we should initiate more government programs or promote private charities—what we might need is better art. In the wrangling debate, in the midst of specifics, we might need a piece of art that would shift our attitude and remind us to reverence bare humanity.

Friday, February 05, 2010

Demand Question Time

Sign the petition. A good idea for promoting civil discourse, question time.

(Hats off to Daine for the link.)

Thursday, February 04, 2010

Thumbs Up Thursday: Jonsi


I discovered Jonsi's first release from his upcoming album about two weeks ago and still can't stop listening to the free download here (click play then click on the little cloud to download). It's likely my favorite song he's written, with brilliant layering and lyrics that conjure the same romping emotions of "Where the Wild Things Are." Awe-some.

If nothing else, just listen to how he uses the flute. Not overdone—just enough and no more.

Thursday, January 28, 2010

Thumbs Up Thusday: Against the Permanent Campaign

"What frustrates the American people is a Washington where every day is Election Day. We can't wage a perpetual campaign where the only goal is to see who can get the most embarrassing headlines about the other side—a belief that if you lose, I win. Neither party should delay or obstruct every single bill just because they can. I'm speaking to both parties now. The confirmation of well-qualified public servants shouldn't be held hostage to the pet projects or grudges of a few individual senators." - Obama, State of the Union 2010

Hear, hear. It's certain that every politician is motivated partly because they want to keep their job (who could blame them?), but when the permanent campaign becomes the central motive behind all actions, government is crippled; the net good of Congress is nullified.

What did you think of the State of the Union? Was it a sign that change is still viable?

Monday, January 25, 2010

To Commune or Conquer

"Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery." - The Road, last paragraph
No novel has haunted me for good and bad the way Cormac McCarthy's The Road has. I can't forget it, though at times I think I should in order to shake my fear that our world will darken to the one McCarthy imagines—a gray post-apocalyptic world of cutthroats.

What saves the book is that it ends in beauty, ends in reverence. "Hummed of mystery" is the essence of reverence, since reverence comes from awe for what we humans cannot fully comprehend. Awe for the incomprehensible mystery that is older than man, a grand Incomprehensibility that compels us to love.

If I cut straight to the heart of what I've learned so far from writing about reverence and rhetorology it's that I've learned I love sloppily. I've learned I don't love people I should love.

Well, that won't amount to much, will it?

It's a broken word—love—since in English we're unable to divorce it from romance, but it's the word we Christians use for the great commandments: love God, love each other. That is, strongly like.

Studying reverence has led me to believe that a person who is awed by the grandeur of Mystery (a grandeur that surfaces in things as commonplace as the intricate designs on the side of a fish) cannot help but love. You can't be filled with feelings of awe and scrawl vitriol on the wall of a YouTube discussion board.

Experiencing good art is one way to garner feelings of awe, since good art reminds us to appreciate aspects of life we've grown overly accustomed to.

Communicating with others is another way. Communication reminds us that other humans are more mysterious and grand than we may have thought.

The trouble is that most people today are merely out to convince (coming from the Latin vincere: "to conquer") rather than to commune. This is why concepts like rhetorology and Rogerian argument are so powerful: they motivate reverence, which in turn motivates love.

Maxine Hairston, professor emerita of English at University of Texas at Austin, describes the process this way:
“In the several years since I first became interested in Rogerian argument it has had a growing influence on me. Not only do I teach it to help my students become better rhetoricians, but I have found that increasingly I am using Rogerian strategies myself when I really care about communicating with people. I have learned how to phrase questions neutrally in order to elicit genuine answers, and I have trained myself to become a better listener by adopting Rogers’ advice to withhold my response until people have had a chance to express their views.”
I've seen this too. I've created enemies before, by layering internal gossip about people I thought were detestable but hadn't really yet spoken to directly. Then when I finally confronted them, even if we argued and remained at odds with each other about a given topic ("enemies?") I found that I liked them more than I had prior to communicating. I could see, at least a grandeur I hadn't previously considered.


Thursday, January 21, 2010

Sean Hannity and Rev. Wright Demonstrate Rogerian Rhetoric

Carl Rogers' seven principles of communication:

1. Highly structured and rule-governed situations tend to be threatening and to reduce communication.

2. Threat inhibits communication. When a person feels threatened by what another person is saying, he or she is apt to stop listening in order to reduce anxiety and protect the ego.

3. One reduces communication by anticipating answers and having preconceptions about what the other person is going to say.

4. One increases communication by establishing an atmosphere of trust and suspending judgment until another person has finished speaking.

5. One reduces threat and increases the chance of communication by demonstrating that one understands the other person’s point of view.

6. Strong statements of opinion often put people on the defensive and discourage real communication.

7. Biased language increases threat and reduces communication; neutral language decreases threat and increases communication.

An example here, from 2:30 to 3:30

Thumbs Up Thursday: Scott Brown with a Caveat


It's not that I'm particularly pleased with the candidate himself (or the bare centerfold I knew would surface when I searched for his picture on Google). But despite what a few Democrats have said after the election, Brown's win unquestionably signifies something larger than just a localized Senatorial race. There were other factors, certainly (Coakley's slip about baseball, her laziness, etc.), but it would be hard to argue that Brown still would have won had the same election taken place a year ago when a majority of Massachussets citizens voted for Obama.

This surprise victory (especially surprising because, of all people, Brown replaces Ted Kennedy) is at least in part a signal that loads of people dislike the current health care bill. After all, Brown campaigned unabashedly on the grounds that he would vote against it. And the citizens of Massachusetts know about health care reform.

I say thumbs up to the call to revise the current health care bill.

However—and here's the caveat—if Scott Brown's win means that no health care reform gets passed, then his win, in my mind, will be almost as bad as Coakley's would have been. Getting no health care reform passed will stifle American morale. It will make us feel more divisive than ever. If Brown's win results in merely stifling all the current bills, the American people will believe more strongly than ever that Congress is hopelessly divisive and that it's still just politics as usual in Washington. No hope, change, or unity.

A NYT conversation between Gail Collins and David Brooks puts it nicely. Brooks is right: to push the current bill through now, as Pelosi wants, would be an arrogantly stupid move, since it would signal that the Democrats don't give a blink about the public's view on the matter.

Here's my pitch: We need health care reform, but we need health care reform that focuses solely and doggedly on one criterion—reducing cost. Any line in any bill that doesn't unarguably reduce long-term cost should be cut. Since the nation is feeling the aftermath of the recession, lowering cost on health care is common ground for Republicans and Democrats.

When it comes to cutting costs, the current bill is a tad iffy. The CBO pdf says,

enacting the Patient Protection and Affordable Care Act would result in a net reduction in federal budget deficits of $130 billion over the 2010–2019 period . . . In the subsequent decade, the collective effect of its provisions would probably be small reductions in federal budget deficits if all of the provisions continued to be fully implemented. Those estimates are subject to substantial uncertainty. (italics mine)


Update (from an AP story today): "Obama urged lawmakers not to try to jam a bill through, but scale the proposal down to what he called 'those elements of the package that people agree on.'" Two thumbs up.

Wednesday, January 20, 2010

Modern Dogma Illustrated

An illustration of my most recent post:

My wife Becca tells the story of meeting a young LDS liberal at an Institute social when she was a single adult living in Seattle. The 2008 presidential election was a little over a year away, and political tender spots slipped in and out of the conversation as the evening wore on. At one point, this young man came and sat at their table, an acquaintance of an acquaintance to Becca. The topic of immigration law had just bubbled up, and the young man immediately steamed:

"I have such strong feelings about that. It's so ridiculous how callous and closed-minded some people are. It really, really gets to me."

Surprised, Becca pushed him to explain. She didn't feel incredibly passionate about either leaning and wanted some tangibles. His response was passionately absurd: he said he "couldn't talk about it" because he "felt so strongly" about it. His gutsy "open-mindedness" left him emotionally overwhelmed and rhetorically paralyzed. He said nothing more. Becca left the conversation unchanged, unpersuaded, and slightly amused.

Tuesday, January 19, 2010

Modern Dogma and the Open Mind

"The object of opening the mind, as of opening the mouth, is to shut it again on something solid." - C.K. Chesterton

"There is nothing more dreadful than the habit of doubt. Doubt separates people." - Buddha

As I noted previously, one of the best books I read last year was Wayne Booth's Modern Dogma and the Rhetoric of Assent. While Booth criticizes many modern dogmas throughout the book, the one he refutes most frequently is the dogma that "the job of thought is to doubt whatever can be doubted."

Booth argues that since the time of Descartes (who promoted unrelenting doubt with his claim "I think, therefore I am"), it has become increasingly fashionable to doubt everything.

We see this dogma today. It's frequently behind the now-hackneyed slogans "be true to yourself," "open your mind," "think for yourself," "question everything," "don't be so close-minded" and "stick it to The Man."

In Modern Dogma Booth doesn't argue that we should never doubt, never dissent, or never promote individualism, but he does question the limits of doubt. He asks us to consider when we should assent rather than doubt. Booth claims that to fall wholesale to this modern dogma (i.e. "doubt everything") is fantastically damaging to human communities and, in turn, to human beings.

He responds directly to the individualistic hippie thinking that was alive and well the year he wrote the book (1974). Booth says that he never hears such groups "admit to what a puny thing, what an imaginably subhuman thing one's precious self would be if one had not been surrounded by, embedded in, made through other selves in social institutions." He says
"we [Americans] all believe, passionately, in the right of every person to assert and defend his values; about such matters as freedom and equality and justice. We are indeed moral absolutists, even those of us who will in the same breath chant, 'There are no absolutes.' The whole country cries 'Freedom now!'—meaning my freedom now." (132)
In other words, modern dogma, or our attempt to stick it to The Man, has often led us from communal to self-centered thinking. (It's the story of James Joyce's Portrait of the Artist as Young Man.)

That is why Booth thought the rhetoric of assent was such a key idea. The rhetoric of assent requires individuals to recognize that the best way to live life is in communities. Therefore, while the rhetoric of assent works against the indomitable faith and traditional thinking of religious fundamentalists, it also works against the indomitable doubt and "open-mindedness" of modern dogmatists, people who reject traditional communities simply because they find that those communities hold dubious beliefs.

What these dogmatists seldom admit is that there are no communities that are free of dubious beliefs. Because every community is made up of half-witted and measly-hearted humans, belonging to any community requires each individual within that community to put some doubts on hold, to practice hypocrisy upwards. No community, good or bad, ecumenical or exclusive, can withstand unrelenting doubt.

To illustrate, look at Roger Williams, founder of the first Baptist church in America. At one point in his life, according to a Williams biography by Emeritus Yale professor Edmund Morgan, Williams doubted every one of the local religious communities so strongly that he believed his version of Christianity was the only true version. The problem was that only he and possibly his wife agreed exactly with his version of Christianity. That's a lonely church.

This isn't to say that all doubt is damaging, or even that most of it is: Descartes's proclivity towards doubt has rid the modern world of myriad lame superstitions. Nor is it to say that individuals should never break from communities, since it cannot be true, as cultural relativists assert, that all communities are equally true and false. (Just compare the fruits of Jonestown to the fruits of the United Way.)

Booth's claim is merely that all communities require give and take. They require assent. They require us to play the believing game. Booth asks that rather than set out alone to discover "our truth," we set out to discover truth communally through mutual inquiry.

In sum, this is why the rhetoric of assent, or rhetorology, is so powerful: by requiring us to cooperate peaceably and humbly in and between communities, it simultaneously critiques traditional religious dogma and modern individualistic dogma. Rhetorology requires us to commit to some community somewhere rather than to remain alone. It requires us to open our minds and then, after we can articulate a more solid truth, to close them.

.

Wednesday, January 13, 2010

Thumbs Up Thursday: The Avett Brothers

I don't know what this has to do with reverence, but I watched this song on repeat so many times this past week I can't resist sharing. It resonates with me.

Tuesday, January 12, 2010

Mitt Romney's NO APOLOGY


Even though I believe America has been the greatest nation in world history, and even though we get little to no thanks for our unsurpassed efforts in keeping world peace, I'm disappointed in the title Mitt Romney chose for his upcoming book. No Apology? Such brashness will increase book sales, but the proposition that we shouldn't apologize for any of our mistakes (as relatively mild as they've been) will only drain our power in the long run.

I was hoping for a more nuanced argument.

Sunday, January 10, 2010

Hyprocisy Upwards

Perhaps it's impossible to wear an identity without becoming what you pretend to be.
-Ender's Game

Wayne Booth tells a story in an interview (I can't remember where the story originates, the interview is here) about a man with a sordid past. He meets a lovely woman and wants to marry her, but she rejects him because his vulgar life is so etched into his demeanor, so much that he is physically revolting.

Distraught, the man searches out a mask-maker. He asks for a new face to mask the sordid reality of his life of sin. The mask-maker crafts an angelic face for the man, who quickly dons his new disguise and seeks the woman's hand once more. This time he acts the part, playing into his angelic features in speech and action. Over time she accepts his proposal for marriage.

For years they live happily: the man continues to force his actions to fit his mask, putting on airs of chivalry and virtue.

After many years living under this pretense, a prostitute (and former lover) learns where the man is, finds him, and destroys his disguise. No longer able to rely on his mask, the man is heartbroken and afraid. He knows he must confront his wife with his old demeanor. He comes home and avoids his wife for hours. When he finally finds the courage to come out and greet his wife, she merely asks if he is ready for dinner, and shows no reaction to his unmasked face.

Over the years he had transformed. He lived the life of his mask so fully that it became his true face.

This is a beautiful parable for Wayne Booth's concept of hypocrisy upwards. The more I think about it, the more profound it seems. Is there any other way to acquire virtue than this? We're hypocrites whenever we try to better ourselves. This is what being "better" connotes, that we're trying to be something we're not (yet).

I see rhetorology as a way to acquire the virtue of reverence. Rhetorology is the practice, while reverence is the virtue. Rhetorology is the "act" we put on, the hypocrisy (upwards) we practice in order to acquire reverence. We spend time fully listening to the opposing viewpoint, and over time we acquire the ability to naturally feel genuine respect for those with whom we disagree.

Of course, hypocrisy upwards has to be coupled with sincere meditation and reflection in order to make sure it's not motivated by deceit or greed. Deceit is what deflates the potential of hypocrisy upwards, turning it into simple, wretched hypocrisy.

Thursday, January 07, 2010

Thumbs Up Thursday: iSlate


Becca was kind enough to give me an iTouch for Christmas, and I've been quite delighted with it. Now rumors have it that Apple will announce the iSlate at the end of the month(?). If its interface is as smooth as the iTouch, it'll certainly be on a future wish list.

Monday, January 04, 2010

A Man of Sorrows

An addendum to my last post: compassion is tied to sorrow in a way I hadn't fully realized. Here's the definition, according to Webster's 1828 dictionary:
A suffering with another; painful sympathy; a sensation of sorrow excited by the distress or misfortunes of another; pity; commiseration. Compassion is a mixed passion, compounded of love and sorrow.
Perhaps Christ didn't show compassion for the Pharisees (Matthew 23) because they had no evident sorrow. They had exalted themselves to the point where they felt the sorrow of no one, and without sorrow, compassion is impossible.

Thursday, December 31, 2009

Does Charity Ever Fail Us?

Last night I stumbled upon the Charter for Compassion, a movement that has a lot of overlap with reverence and rhetorology. (Except the Charter uses a more palatable key word: compassion rather than rhetorology.)

The movement launched on November 12, 2009, and was inspired by Karen Armstrong, author of, among other books, The Case for God.

She introduced the Charter in her brilliant TED video, wherein she claims that religion is essentially good, but that it's been hijacked in recent history. She quips, "we have a talent as a species for messing up wonderful things."

The Charter hopes to remedy the hijacking. Here's an outline from the website:
The Charter will proclaim a principle embraced by every faith, and by every moral code. It is often referred to as The Golden Rule.

The Golden Rule requires that we use empathy—moral imagination—to put ourselves in others' shoes. We should act toward them as we would want them to act toward us. We should refuse, under any circumstance, to carry out actions which would cause them harm.
It's a needed reminder, don't you think?

I signed my name to the Charter, but I had a slight hesitation as I did. I wondered whether compassion alone is enough to fix our problems. Can the Golden Rule alone really be the answer to every situation?

I don't know. What about justice?

It seems sometimes compassion can headbutt justice. Just ask Mike Huckabee, who, according to political pundits across the nation, has no chance of winning the presidential nomination in 2012 because he release prisoners who went on to murder innocent civilians.

Was he compassionate to a fault? He possibly thought, "well, I wouldn't want to be in prison, and I'm supposed to do to others what I would want done to me, so I'll let these people go." It seems to have been a breach of justice. (I still like the guy, mainly because he was the best debater in the Republican primaries—but I might be one of a handful of Mormons who likes him. Alas.) :)

So I'm left wondering whether compassion alone is enough. On the Charter's website Rabbi Jackie Tabick recounts a Jewish story about how God knew He'd need to give mankind two paradoxical virtues, compassion and justice, for mankind to succeed. Likewise, Paul Woodruff, in Reverence, recounts a Greek myth about how Zeus gave mankind two similar virtues, reverence and justice, to foster our success. If two major ancient cultures believed that these virtues should be coupled, it may very well be a truth.

Writing this has many filled me with questions, questions perhaps you know the answer to (and if you do I hope you'd share):

Is compassion enough?

When did Christ practice justice?

Do we as fallible beings ever know enough to rightfully practice justice?

Does "do not judge" mean "don't practice justice"?

What does "do not judge" mean? (I think there are few more puzzling scriptures than that one.)

What does "charity never faileth" mean?

Thumbs up Thursday

Sadly I don't have a picture, but I can't refrain from giving a shout-out to my freshman academy class last semester. That group was uniformly

smart
funny
dedicated
and
kind.

One student even told me that rhetoric (rhetoric!) was now one of her favorite subjects.

What else could a teacher ask for?

Thursday, December 24, 2009

Thumbs up Thursday

Seattle in the winter.

Christmas tree

Boone dog



And last night we watched Home Alone